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Re: Kong Review: Jaw-droppingly Brilliant



The beauty, or horror, of Freudian stereotypes and Jungian archetypes, such
as Kong as "hero" or Anne Darrow as "heroine", is that they can be applied
EVERYWHERE. For example, Freudian kong is really a homosexual monkey who
kidnaps Anne, representative of his id as well as the object of destruction
(she's a woman) who seeks the highest, phallic structure in the sit to mount
while heroic fighter pilots seek to save her.

The original film certainly has its share of sexual symbolism, but it's fundamentally a story based in political philosophy, not psychology. It's right out of Western European romantic and enlightenment philosophies of the "noble savage" and the relationship between civilization and the "state of nature". Kong is the archetypical noble savage. Born in a "state of nature", where one's freedom to possess things (like Ann) is limited only by the strength of the individual, Kong nevertheless proves to be fundamentally good. In moving from a state of nature to civilization (aka, NYC), however, he loses the freedom to possess whatever he wants and is eventually destroyed by civilization, which Rousseau believed drove men to all sorts of bad behavior in the pursuit of commercial interests.




PTN