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Re: Kong Review: Jaw-droppingly Brilliant
The beauty, or horror, of Freudian stereotypes and Jungian archetypes,
such
as Kong as "hero" or Anne Darrow as "heroine", is that they can be applied
EVERYWHERE. For example, Freudian kong is really a homosexual monkey who
kidnaps Anne, representative of his id as well as the object of
destruction
(she's a woman) who seeks the highest, phallic structure in the sit to
mount
while heroic fighter pilots seek to save her.
The original film certainly has its share of sexual symbolism, but it's
fundamentally a story based in political philosophy, not psychology. It's
right out of Western European romantic and enlightenment philosophies of the
"noble savage" and the relationship between civilization and the "state of
nature". Kong is the archetypical noble savage. Born in a "state of
nature", where one's freedom to possess things (like Ann) is limited only
by the strength of the individual, Kong nevertheless proves to be
fundamentally good. In moving from a state of nature to civilization (aka,
NYC), however, he loses the freedom to possess whatever he wants and is
eventually destroyed by civilization, which Rousseau believed drove men to
all sorts of bad behavior in the pursuit of commercial interests.
PTN