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Re: Did dinosaur wings evolve for breeding display?/Longisquama
Well said, Jaime.
That being said, I had the original in my hands also.
David
On Apr 22, 2009, at 5:45 PM, Jaime Headden wrote:
I would like to close my current discussion on this topic with my
opinion on my use of photographs:
Photographs are photographs, and they represent a finite level of
detail no machine or technology can increase (not without the
original negatives, and certainly not without considering the
resolution the negatives are produced at themselves) and when read
on a digital machine, everything is rendered in pixels, which
REALLY restricts artifacts. Whereas before you have ink/laser
artefacts that reduce fineness of detail at the microscopic level
in which some of these photos must be read (as a book, in cases),
on the computer you have to see that a pixel contains no subpixels
of information that can be gleaned, decoded, aliased, or whatever,
no matter the technology of the tool. When you have a digital
reproduction of a physical artefact like a photo in which the
lighting is skewed, and the resolution weak, you are introducting
layers of problems in interpretation into your image and what ever
you want to get out of that image must come according to the
restrictions therein. So much is not visible in a photograph that
the original is ALWAYS superior, and even a cast is dependant on
the fineness of the casting material (in two degrees, the material
used to make the negative from the original, and the material used
to create the positive copy that is the cast itself).
This is the world I enter when I use ANY photographic sources to
produce any skeletal, and it often means a lot of guesswork (skull
bone shapes, positions, vertebral shapes, positions of apophyses on
vertebrae, etc.) which influences the final product (if I can get
that far) to the point that it is not possible to make a perfect
skeletal, a perfect skull image, or even assure yourself of the
detail to which you would like, even if it's critical that you have
that detail. I had the opportunity to examine (briefly) a cast of
the holotype of *Longisquama insignis*, and it was this brief
episode that has cemented my understanding of the slab and all that
it can reveal:
There are holes in the slab created by imperfect splitting into
part and counterpart, where chunks of material were separated from
the slab everyone sees now, and there are portions of the slab
which are irregular unworked surface but show dips, ridges, and
rolling hillside that would remind anyone of the lovely nonflat
countryside in northern England and Scotland. This slab does not,
and cannot, preserve material hidden to the untrained eye or
photograph at much of any lightning because, in most cases, the
slab isn't there to expose this information. The animal is
extremely small, although not as small as some intriguing fossils
(an entire conodont apparatus can fit on the head of a pin ... I
sympathize with the people who prepare and investigate this
material first hand), and even the resolution of the cast shows
that there is unconformed crushing and smushing in the skull and
shoulder, and in fact any portion of the skeleton where a bunch of
bones are layered atop one another. The finest and most perfect
detail in the slab are in fact located on the structures that
radiate outward from dorsal to the spine, attached or not, and this
detail is still lower than the fine details of sutures and contacts
among cranial bones, and much less detailed than the fineness of
the dentition, which as far as I can tell are just slightly curved
cones.
My skeletal of *Longisquama* is, was, and will continue to be
nothing but rampant speculation compared to the detail I could
glean from a 10 foot long mount of GIN 100/42, currently referred
to *Citipati* sp. and one of my favorite fossils ever, and
certainly deserving of its own specific monicker when it is fully
described.
Cheers,
Jaime A. Headden
"Innocent, unbiased observation is a myth." --- P.B. Medawar (1969)
"Human beings, who are almost unique in having the ability to learn
from the experience of others, are also remarkable for their
apparent disinclination to do so." --- Douglas Adams (Last Chance
to See)
"Ever since man first left his cave and met a stranger with a
different language and a new way of looking at things, the human
race has had a dream: to kill him, so we don't have to learn his
language or his new way of looking at things." --- Zapp Brannigan
(Beast With a Billion Backs)
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David Peters
davidpeters@att.net