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Re: "Dinosaur Cowboy" film
Consider the patent medicines available to the real
Cope and Marsh. No need to limit your screenplay in
any pharmaceutical sense (no pun intended).
--- Phil Bigelow <bigelowp@juno.com> wrote:
>
> On Wed, 07 Sep 2005 18:32:11 -0400 (EDT)
> Danvarner@aol.com writes:
> > In a message dated 9/7/2005 5:56:39 PM Eastern
> Standard Time,
> > ralexander56@sbcglobal.net writes:
> > << Reply: Allan....you've succintly articulated
> my
> > dilemma! (I've majored in film and have a fixation
> for
> > dinosaurs, so the Cope & Marsh saga screenplay
> > emanated as a way to meld the two.) I'm
> currently in
> > negotiations with a producer and entertainment
> > attorney to secure funding and attachment to the
> > project. >>
> >
> > Well, good luck to you. But I have to ask what
> kind of "saga" here
> > has
> > cinema value. This topic came up on the DML back
> in 97, I believe.
> > I thought it
> > best as a comedy, actually. Other than Cope's
> nightmares from
> > indigestible food
> > and his magic trick of whipping out his dentures
> for the Indians
> > there's
> > nothing. Just years and years of two men
> pissed-off at each other.
> > Or maybe
> > those old-fashioned shots of newspaper headines
> spinning around to
> > a stop. Or
> > maybe I'm just an old grouch... DV
>
>
>
> "Seinfeld" was advertised as a "show about nothing"!
> ;-)
>
> Seriously, if written well, such seemingly
> pedestrian scenarios can be
> made quite entertaining. A dark comedy is indeed a
> possibility, although
> I think it could also work as a drama. If Quenton
> Tarrentino wrote the
> screenplay (and then directed it), I'd bet it would
> work. Particularly
> if it also addressed the mistreatment of native
> Americans and some of the
> other "unseemly" social issues of the time as a side
> issue.
>
> Think "Dances With Wolves", but on crystal meth.
>
> <pb>
> --
>
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>